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Dale McLain
Advanced Member
Username: sparklingseas

Post Number: 1266
Registered: 11-2004
Posted on Wednesday, September 07, 2005 - 12:54 pm:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

the slow death of secrets

I draw the thin coat
of my last mysteries tight,
gather it around my shoulders,
though it holds no warmth
in its sheer folds.

You have taken my hands
and pried them open,
released the grey moths I treasured.
On tattered wings they fluttered
into your long shadow.

The rusty coins I clutched
landed dull at my feet.
Lark feathers, dried violets,
cowries and paper stars
all tumbled through my fingers.
Snippets of silk, sequins and snow-
this was all I cherished.
Had you hoped for dragons?
or blood or fire?
Did you look for keys and locks of hair,
letters, mirrored daggers,
poems and plotted maps?

We sit now, knee to knee,
and you trace the lines in my palms,
study them with exquisite patience,
certain you will discover
the one jagged stripe that reveals all.

(Message edited by sparklingseas on September 07, 2005)

(Message edited by sparklingseas on September 07, 2005)
Kathy Paupore
Advanced Member
Username: kathy

Post Number: 2444
Registered: 12-2003
Posted on Wednesday, September 07, 2005 - 4:28 pm:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

Dale, I love the magical feel of this poem. Might I suggest some different line breaks in the first stanza:

I draw the thin coat of my last
mysteries tight, gather it around
my shoulders, though it holds
no warmth in it's sheer folds.
You take my hands, pry them open,
release the gray moths I treasured.
On tattered wings they flutter
into your long shadow. (I changed the tense here.)

and in S2 maybe bring it into present tense

:-) K
marty
Advanced Member
Username: marty

Post Number: 643
Registered: 10-2003
Posted on Wednesday, September 07, 2005 - 8:17 pm:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

Dale,
I love the images, very appropriate for the theme. You let the image speak for the poem itself...the kind of feeling you get when watching a soundless scene and somehow knowing what transpires even when you dont hear. Tender and exquisite, and you choose just the right images to convey the passion that is being controlled, thats how i view it at least. Bravo!

Cheers Brethren
Gary Blankenship
Senior Member
Username: garyb

Post Number: 4743
Registered: 07-2001
Posted on Thursday, September 08, 2005 - 11:33 am:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

You have taken my hands
and pried them open,
released the grey moths I treasured.
On tattered wings they fluttered
into your long shadow.

I agree with Kathy's tense change, but regardless I love the wings released and the coins etc that tumble after.

A vg read.

Smiles.

Gary


The new, August FireWeed is ready for you to read. Go in through http://www.mindfirerenew.com/
to get to the issue in a click or two.
M
Board Administrator
Username: mjm

Post Number: 5167
Registered: 11-1998
Posted on Thursday, September 08, 2005 - 4:02 pm:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

Ah, now you have poetry, Dale. A lovely piece. I would clip a word or two here and there, but nothing major. It evokes a magical feel. You have done so well on atmosphere.
Cary
Intermediate Member
Username: ponderlust

Post Number: 321
Registered: 07-2005
Posted on Thursday, September 08, 2005 - 4:28 pm:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

Dale... In regards to your comment about Texas being too far North, had you been any "souther", I'd have to be brushing up on my espanol... and my spanish just happens to be rustier than a copper-colored pig. :-)

The title of this one is a gem. It has me wondering if it's merciful for a secret to die quickly... or if it's the secret's tenacity that has it fighting until its last breath.

Anyway, it should come as no surprise that I find this poem of yours a treat. The way you've made the last mysteries, in S1, a thin coat is marvelous. Although it holds no warmth, its comfort won't go out of style... at least until a more practical coat goes on sale.

The grey moths are intriguing. While I'm at a loss for what they traditionally symbolize, I can't help but see them here as a nemesis for the thin coat (mysteries). Could this be a way of saying that the speaker favors them because they eat away at mystery when all she really wants is something simple and solveable? You needn't answer that... I'm just rambling about what this poem has me thinking.

S3 makes me think that the "you" in this poem is someone who sees love as a fantasy... something to conquer (slay)... as if maybe the heart is an enormous castle, riddled with secret doors and cached with plunder that has no business leaving.

S4 is a great finish.... but L1 had me briefly thinking that the "you" in this poem is really the speaker. Sitting "knee to knee" is an impractical way for two people to posture themselves, at least while reading palms. Keep in mind, it's the singularity of that "knee to knee" that has me thinking this. Sitting "knees to knees" would conjure an image of two people sitting Indian style... but sitting knee to knee makes me wonder if the speaker is sitting next to a mirror... next to their inverse self? Naaaaw... that's not it. Is it?

Cary...
Kathy Paupore
Advanced Member
Username: kathy

Post Number: 2453
Registered: 12-2003
Posted on Thursday, September 08, 2005 - 6:13 pm:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

Dale, I see you've edited! Nicely done, but you didn't leave your origainal so my line break suggestions don't make sense. :-) I still think you should bring it all into present tense.

:-)K
Penelope
Valued Member
Username: penelope

Post Number: 167
Registered: 07-2005
Posted on Thursday, September 08, 2005 - 6:41 pm:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

Dale, so beautifully done, the dangerousness and longing to be known...knee to knee.
Penelope
Dale McLain
Advanced Member
Username: sparklingseas

Post Number: 1279
Registered: 11-2004
Posted on Thursday, September 08, 2005 - 9:00 pm:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

Kathy~ Ah, me and those darn line breaks! Sorry... should have left the original. Thanks for your suggestions and comments.

Marty~ Thank you! I'm glad you liked this. I appreciate the kind words

Gary~ Smiles back to you! Thanks!

M~ Now that's what I wanted to hear!!!! Thank you, thank you, thank you!

Ah, Cary~ I hate it when your interp is a better read than my poem. In the first write I used knees... but thought it sounded too... anatomical (??)... but I mean two people sitting facing one another with knees touching...
so I guess it should be knees. I like the mirror concept, though it was not what I intended. Glad you like the title. I was thinking of the difficulty in giving up some secrets. Thanks for your very thoughtful comments.

Penelope~ Bingo! You understood exactly what I meant to convey. Aaaahhhh... that is so nice. Thank you.

take care all~dale
LJ Cohen
Moderator
Username: ljc

Post Number: 2864
Registered: 07-2002
Posted on Saturday, September 10, 2005 - 6:49 am:   Edit Post Delete Post View Post/Check IP Print Post    Move Post (Moderator/Admin Only)

Dale,

The terrible vulnerability shines through in this one. Well done. The only phrase that jumped out at me was 'tattered wings' which felt too worn out for this poem of such strong images. A suggestion for you to consider:

released the grey moths I treasured,
sent them fluttering
into your long shadow.

best,
ljc
http://ljcbluemuse.blogspot.com/

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